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November 14 2019

1843 MAGAZINE

THE DAILY CRITIC’S NOTEBOOK
THE PEOPLE WHO SHAPED ISLAMIC CIVILISATION
A new book celebrates the achievements of early Muslims, and dispels some myths along the way

NICOLAS PELHAM

Coverage of violence and Islam often go hand in hand. So it comes as a relief to be reminded that historically, culturally and intellectually, Islam is less a nihilistic creed than a global civilisation. A new book by Chase Robinson, which includes 30 pen-portraits of significant figures in Islamic history, is an elegant digest of the many colourful, creative and technologically innovative manifestations that the Prophet Muhammad inspired from his seventh-century oases in the Arabian peninsula.

Majestic The Dome of the Rock in Jerusalem
The warriors and potentates are there, of course. Starting with Muhammad and ending with Shah Ismail 900 years later, they bookend the narrative. But in Robinson’s telling their martial arts are secondary to their aesthetic ones. Muhammad is celebrated not for his battlefield victories but his verse. Abd al-Malik, the caliph who took Cyprus, was better known to Islamic chroniclers for building Jerusalem’s majestic Dome of the Rock and, less appealingly, halitosis so severe it could kill a fly. Mahmoud of Ghazni, the jihadist who conquered the Hindu kingdoms of north-western India, was admired for decorating Islam’s eastern periphery with gardens. (“You have strung the wild rose with patterns of pearls,” oozed a court poet.) Timur, the Mongol “sheep-rustler and world-conqueror”, built towers of skulls but also the soaring, sublime mosques of Samarkand. Sultan Mehmed II, the Ottoman conqueror of Constantinople, was “a renaissance man”.

As fascinating as the fighters are the characters in the courts they patronised. Robinson’s cast includes free-thinking physicians and biologists, calligraphers, cartographers (including Muhammad al-Idrisi, below), historians and poets. Though Muhammad himself was illiterate, his tradition was steeped in letters. One of his Suras, or Koranic chapters, was called “the Pen”. By tradition, the first man, Adam, fashioned the first pen, and Ali, the prophet’s son-in-law and successor, coined his own Arabic script.

Tycoons and businessmen are present, too: in the ninth century, as now, manufacturers were complaining of the Chinese dumping mass-produced kitchenware on their markets. Women also make an appearance, as mystics, courtesans and scholars. Beneath the arches of Mecca’s mosques, Karima al-Marwiziyya led Koranic study circles for both sexes. After all, she might have noted, many of the Prophet’s companions and preservers of Islamic traditions were themselves women.

What emerges is a civilisation that was a marketplace of ideas as well as goods. “Urbanisation and literacy was said to be a distinctly modern phenomenon,” says Robinson, “but that is wrong”. Rather the Islamic world, he says, epitomised “globalisation before its time”, “cultural cosmopolitanism”, “a world of cross-pollination” and capitalism. Rich from trade, its cities were the world’s finest. In the ninth century, Baghdad mushroomed as rapidly as Manhattan a millennium later, with intrigue, sex and irreverence no less a part of its makeup. Thirty thousand gondolas plied the Tigris. Another Islamic capital, Cordoba, was the greatest city in Europe and produced some of the greatest minds: without the 12th-century rationalist, Ibn Rushd (Averroes), whose defence of Aristotelian philosophy against orthodox theologians influenced people like Thomas Aquinas, the Enlightenment might never have happened.

Through his portraits, Robinson debunks two modern myths about Islam. Salafists, the puritans who dominate 21st-century Islamic discourse, champion the Prophet Muhammad as the founder of a pristine, uniform faith which every Muslim should aspire to replicate. In Robinson’s rendition, the Islam the Prophet bequeathed was amorphous, inchoate and confused. Bereft of their founder, the Muslim community squabbled over not just the niceties of law, but who should rule and how. Muhammad’s favourite wife and his son-in-law fought pitched battles over his succession. The faith was also deeply syncretic: it expanded by absorbing the traditions of the peoples who fell under its rule. Its first rulers saw nothing incompatible between an upright Islamic existence and wine-drinking. Too often the source material was too skimpy to answer basic questions. The literalist Andalusian politician and scholar, Ibn Hazm, for instance, argued against the biblical death penalty for homosexuality, saying that nowhere was it prescribed in the Koran. (Ten lashes, he suggested, might be more fitting.) Only centuries later did the faith congeal into something akin to today’s orthodoxy.

The second myth Robinson punctures is one often propounded by orientalists: that the tightening grip of orthodoxy led to Islam’s supposed inexorable decline. In the tenth century, Abu Bakr al-Razi, a Persian alchemist and physician, wrote a tractate, “On the fraudulence of prophets”, asserting the primacy of reason over revelation and deriding the prophets as imposters and storytellers. Only his defence that reason was a gift of God spared him charges of blasphemy. The following century, Al-Biruni published perhaps the greatest classical account of comparative religion, citing Greek, Persian and Sanskrit aphorisms alongside the sayings of the Prophet. Five centuries before Daniel Defoe, Ibn Tufayl wrote a story about a boy who grew up on a desert island. Without revelation, his metaphor shows, humans develop as rational beings.

Three centuries before Columbus A reproduction of Muhammad al-Idrisi’s world map in the Book of Roger (1154)
By the 14th century, Islam’s centre of gravity had shifted to Istanbul, but its courts continued to attract the world’s leading scientists and artists and remained at the cutting-edge of medical advances and military technology. After a familiar bout of devastation, Mongol rule ushered in fresh investments in science, particularly its 13th-century observatory at Maragheh, whose findings underpinned Copernicus’s models of the universe. Multiculturalism, perhaps even trans-confessionalism, remained a familiar trope of Islamic rule. Alternating between Sunni and Shiite rites, the Mongols’ faith felt remarkably fluid. Uljeitu’s vizier was Rashid al-Din, an Iranian-born Jewish convert to Islam, who assembled a warehouse of global researchers near Tabriz in the 14th century and set them to work on “an industrial-sized” history of the world, the “Compendium of Chronicles”. Its encyclopaedic breadth is a composite of texts drawn from Hebrew scholars (apparently translated by Rashid al-Din himself), Kashmiri monks, Chinese envoys and perhaps the most sympathetic account of Buddha in a non-Buddhist text. More than 2,000 miles away in Tunis, Ibn Khaldoun penned a social history which for the first time ditched the composition of court chronicles to examine the causes behind historical events.

There are, of course, characters closer to the caricatures of modern-day Muslim fundamentalists. Taqi al-Din Ibn Taymiyya, a 14th-century judge in Damascus and Alexandria, railed against the Mongols for favouring Shiism and applying their own yassa law, not Sharia – a sin which, he declared, rendered them apostates. When the Sunni Mamluk authorities he favoured overlooked a Christian’s insults against the Prophet, he agitated the mob to demand his beheading. A bit-player in his time, the Salafists have elevated him to centre-stage today, ranking his teachings alongside the Prophet’s in Saudi Arabia’s core curriculum. Islam’s most zealous detractors and practitioners alike could do worse than to recall Robinson’s other 29 characters too.

Islamic Civilisation in Thirty Lives by Chase Robinson, published by Thames & Hudson

Nicolas Pelhamis Middle East affairs correspondent at The Economist. He is the author of “Holy Lands: A New Muslim Order” and co-author of “A History of the Middle East”

KEYWORDS: ISLAM, MUSLIMS, RELIGION, HISTORY

MAIN IMAGE: A DHOW, USED IN TRADE IN THE PERSIAN GULF, FROM RASHID AL-DIN’S COMPENDIUM OF CHRONICLES, C.1314, AKG-IMAGES; OTHER IMAGES: GERARD DEGEORGE/AKG-IMAGES; BIBLIOTHÈQUE NATIONALE DE FRANCE, PARIS

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